Indian folk artistry is uniquely recognized all over the world not only for rich aesthetics but also as indicators of age-old habitual belief. They comprise of tacit knowledge that is protected by passing on through generations. Apart from the act of customary decorations on ephemeral foundations, Indian painters-storytellers cum singers perennially depict life and death, victory and defeat, good and evil, in the regional folk paintings. The roving minstrels for over two thousand years have disseminated moral values through their painted scrolls and performance to the rural society that has equally reached past the overseas audiences. By counting contemporary folk art only as a community practice that strictly adheres to a tradition, may undermine the folk artist as a creative individual who significantly contributes to the tradition to keep it alive. The present Book shifts its focus from the conventional ethnographic approach and instead, probes into the responsiveness of present day folk artists who use their freedom of experimentation to move forward.